This is part three of the history of my writing life. If you missed it, here’s part one and part two.
I already talked about my early years and my schooling years, so now it’s time for a short foray into the years since then.
I wish I could be a writer full time, though I can’t imagine getting any more writing done than I already do. Now, I have to squeeze writing in time during my lunch break, on the weekends, in the car (Google text to type is both great and awful at the same time), before bed — any time I have a few minutes. Mostly, though, I’m just exhausted and uninspired and don’t write at all. Still — I have a feeling that if I ended up with the time and ability to write full time, it would end up as a constant list of things I did instead of writing.
I’ve written a lot since graduate school. One short story, a handful of poems, several novels. All of the novels are YA. I’ve queried four of them. I’ve had no offers of agent representation. It’s a maddeningly, frustrating, seemingly-endless loop of write, revise, re-draft, edit, set aside, read, touch-up, query, reject, reject, shelf it — start over again with something new.
As I started out five years ago, I tried to remember to stay on top of the trends. Instead of vampires, I tried a riff on werewolves. The novel, The Moonstone, is not one of my best. In fact, it’s probably only slightly above my MFA thesis in terms of writing, plot, and longevity. To be honest, I don’t even like werewolves and the supernatural / paranormal / fantasy obsession in YA fiction. What business did I have writing it? I know now that I was so eager to publish that I thought hitting the edge of a trend would work. Too bad werewolves never picked up post-vampire age.
Moving on, I tried to merge the uniqueness of my birthday (February 29) with a fantastical notion of what happens after death. In-Between and Ever-After came out of this, and I still adore this novel. It’s unfortunate that I was about a year behind on this trend, too. I started querying about the same time as Gayle Forman’s If I Stay and a few similar novels popped up. Even though I queried a little bit with The Moonstone, this second novel felt more a part of me than the previous. So getting rejections from both queries and requested manuscripts was more devastating than before. It also taught me a lot about the process, about “agent speak,” and about my own expectations. I still love this novel, and I probably always will. But what I know the most is that I really want to make sure that somewhere, sometime, in my career, I revisit the meaning and interest of Leap Day.
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